Sandhya Raman

Sandhya Raman is a costume designer, curator and focusses socially responsible design.[1] [2] Raman is the founder of Desmania Foundation[3][4] [5][6] Sandhya Raman designs costumes for dancers practicing traditional dance forms in India.[7] [8][9]

Sandhya Raman
Born (1967-07-13) 13 July 1967
New Delhi, India
Nationality Indian
EducationNational Institute of Design
OccupationCostume designer

Education and Career

Raman is an alumnus of the National Institute of Design, (Ahmedabad) with a specialization in Apparel and Textile Design.[1][10] [11]

Exhibitions
  • Enigmatic East - From Ziro to Infinity at The India Habitat Centre, Delhi on 29th Jan, 2019.[12][4]
  • Enchanted Tree - an interactive exhibition celebrating the diverse textiles of India at Kamaldevi Complex, March 2017[13][14]
  • When the Pleats Dance - evolution of four decades of dance costumes at The Art Gallery of India International Centre[2][10][8]
  • (Un)masked - October 2017 (raised funds for International Medical Health Organization).[15]

Productions
  • Goddess Central a dance drama which addressed the issue of female foeticide.[16]

Awards

(Stree) Nari Shakti Puraskar from Govt. of India 2008 and the Creative Excellence Award from UNFPA 2008.[24]

Reference
  1. "Stories crafted in clothes" (Apr 28, 2019). The tribune.
  2. "Dancing pleats". The statesman. June 18, 2015.
  3. "Designing the Classic Language of Costumes". The New Indian Express. Retrieved 2020-11-26.
  4. "Focussing on Arunachal's weaves" (20th January 2019). The sunday standard. The new Indian Express.
  5. Service, Tribune News. "Stories crafted in clothes". Tribuneindia News Service. Retrieved 2020-11-26.
  6. Tankha, Madhur (2019-01-29). "Sandhya Raman: Lending a helping hand". The Hindu. ISSN 0971-751X. Retrieved 2020-11-26.
  7. "Costumes that go into Indian dances". Business Standard. June 14, 2015.
  8. "when silk strikes an enigmatic pose". Deccan Herald. June 11, 2015.
  9. "Designs for stage". Anjana Rajan. The Hindu. June 10, 2015.
  10. "Clothing the Form". The Indian Express. June 15, 2015.
  11. "Sway in sync". The pioneer. 18 June 2015.
  12. "Weaving Arunachal's Textile Lagacy". The Voive of Fashion (January 29, 2019).
  13. Lowen, Sharon (2017-03-21). "A million Sitas in the forest". The Asian Age. Retrieved 2020-11-26.
  14. "IIC| India International Centre - Home". iicdelhi.nic.in. Retrieved 2020-11-26.
  15. "(Un)Masked: Colorfully layered Third Eye Dancers presentation raises funds for IMHO". December 8, 2017.
  16. "Dance drama : Goddess central". livemint. 15 Sep 2007.
  17. "artists have stay ahead curve ; at the same time, not lose human aspect". Sakal Times. 12 January 2018.
  18. "Beauty, the Beast and Bharatanatyam". The hindu. November 5, 2015.
  19. "Inspired by the lotus, dancers come together". The hindu. July 2, 2015.
  20. ""1… BREATH" – Kathak". www.aditimangaldasdance.com.
  21. "BWW Previews: RASAJA FOUNDATION PRESENTS PRALAYA A Collaboration In Bharatanatyam And Baliness Dance". Zofeen Maqsood. broadway world. Dec 11, 2019.
  22. "Indian and Indonesian dance don't mix, except in 'Incomplete Gesture'". LAURA MOLZAHN. CHICAGO TRIBUNE. Oct 2, 2016.
  23. "The enigma of subjectivity" (NOVEMBER 11, 2016). Sunil Kothari. The Hindu. December 2, 2016.
  24. Veena (2017-12-08). "(Un)Masked: Colorfully layered Third Eye Dancers presentation raises funds for IMHO". NRI Pulse. Retrieved 2020-11-26.
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